Words of Zeami
Its 1
"Original intention impossibility (shoshinwasurubekarazu) to forget"
(than the seventh Zeami "flower mirror" and "fine presence flower biography" "attached sheet learning through the grapevine"}
Zeami did not say for the speeches of a wedding ceremony and the initiation ceremony "where I did not leave today's fresh impression". For a coordinate planning the progress of the lesson, I say that I keep the unripe art of the original intention.
When one original intention was got over, it is an encounter with the original intention at the new point in time.
It is a series of new original intentions every day after all. Finally the most difficult original intention of the old age is waiting.
The accumulation of endless original intentions leads to possibility of the infinite art.
Its 2
"It is a flower if I hide it. A flower should not become if I do not hide it (the seventh "attached sheet learning through the grapevine")
If "I hide it flower." Writer Masaaki Tachihara who devoted himself/herself to ability for life uses words of Zeami for the essay title of a book.
"A flower" is the aesthetics that Zeami investigated for a life, the attractive way.
The flower is fun and says that it is equal sign novelty.
Importance of the time laying you. The grasp of the timing with the audience.
The instant times without the time to expose everything far from hiding it, and to wait in the shame jinu present age.
I pursue only stimulation, and how will the human charm transform?
The Noh which is going to convey a more beautiful thing by regretting expression, and covering it.
Is to a modern young generation or the hot eye from the foreign countries not the phenomenon that the pendulum which came to a deadlock can wave to "culture to express" near ability?
"It is a flower if I hide it. A flower should not become if I do not hide it (the seventh "attached sheet learning through the grapevine")
If "I hide it flower." Writer Masaaki Tachihara who devoted himself/herself to ability for life uses words of Zeami for the essay title of a book.
"A flower" is the aesthetics that Zeami investigated for a life, the attractive way.
The flower is fun and says that it is equal sign novelty.
Importance of the time laying you. The grasp of the timing with the audience.
The instant times without the time to expose everything far from hiding it, and to wait in the shame jinu present age.
I pursue only stimulation, and how will the human charm transform?
The Noh which is going to convey a more beautiful thing by regretting expression, and covering it.
Is to a modern young generation or the hot eye from the foreign countries not the phenomenon that the pendulum which came to a deadlock can wave to "culture to express" near ability?
Its 3
"See it, and no sees a detached room" (rikennoken); (Zeami "flower mirror")
The executor of the stage cannot see one's figure.
A back figure in particular. You look at the detached room you see no that is put the eyes of the heart at the position of the eyes of every audience, and finish one's perfect dance figure.
This is right a checked thought person by the monitor.
Is the idea of Zeami not extremely modern?
If I look at the detached room in the life and see no, and o can last, it will be already "a master of the life".
(than Musashino University's emeritus professor Shozo Masuda "advice of the Kanze school ability" (Kanze school head family))
"See it, and no sees a detached room" (rikennoken); (Zeami "flower mirror")
The executor of the stage cannot see one's figure.
A back figure in particular. You look at the detached room you see no that is put the eyes of the heart at the position of the eyes of every audience, and finish one's perfect dance figure.
This is right a checked thought person by the monitor.
Is the idea of Zeami not extremely modern?
If I look at the detached room in the life and see no, and o can last, it will be already "a master of the life".
(than Musashino University's emeritus professor Shozo Masuda "advice of the Kanze school ability" (Kanze school head family))
Its 4
As for "the lesson, in strong him, joshiki (common sense), it is cried" (the fine presence flower biography "opening")
It should be strongly in a lesson thoroughly, and there must not be obstinacy, stubbornness for self-conceit.
Its 5
"The left side of the stage the copybook poorness of the poorness copybook of the left side of the stage" (the third "question and answer every item")
It concluding it to be joshiki reason that a protagonist of the left side of the stage does not imitate pride art of the poorness, and understanding "the poorness with a copybook of the left side of the stage", and being full of ability and invention.
Not only an actor of the ability, it may be to be able to say to any work.
※It is obstinacy, stubbornness for joshiki ... self-conceit
As for "the lesson, in strong him, joshiki (common sense), it is cried" (the fine presence flower biography "opening")
It should be strongly in a lesson thoroughly, and there must not be obstinacy, stubbornness for self-conceit.
Its 5
"The left side of the stage the copybook poorness of the poorness copybook of the left side of the stage" (the third "question and answer every item")
It concluding it to be joshiki reason that a protagonist of the left side of the stage does not imitate pride art of the poorness, and understanding "the poorness with a copybook of the left side of the stage", and being full of ability and invention.
Not only an actor of the ability, it may be to be able to say to any work.
※It is obstinacy, stubbornness for joshiki ... self-conceit
Its 6
"I assume it a person of tsugi guo i te without being in a house, the house.
I assume it a person from intellect ruo i te without being in a person, a person (the seventh "attached sheet learning through the grapevine")
"I assume it a person of tsugi guo i te without being in a house, the house.
I assume it a person from intellect ruo i te without being in a person, a person (the seventh "attached sheet learning through the grapevine")
Because "the house merely follows, it is not a house. Because there is the thing which you should inherit, it is a house. There is not it despite that person only by the person having been born there. Only a person knowing the thing which the family should protect can say with the person of the house."
Without "ending in a life, and there being it, and dying, and being in the Noh"
(Zeami "flower mirror")
